Ensemble
Els Dietvorst, Stigmata, 2018. Drawing, red-black ink on simili japon, 16 x 11.9 cm.
Sofie Muller, AL/IL/17, 2017. Installation, plaster, metal, 65 x 100 x 150 cm.
Andreas Slominski, Wheelchair to cross the stairs in Odessa, 2000. Installation, rolstoel.
Paul Klee, Sollte Steigen, 1932. Painting, oil, watercolour, canvas.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need