Marshall has had a long-running concern with the Western tradition of producing art history, and its marginalisation of the black subject. Re
The idea of commemoration has recurred throughout Marshall’s career, whether it be personal commemoration or collective commemoration. In the
Kerry James Marshall’s practice is heavily influenced by the experiences of everyday life. Often he depicts domestic scenes or communal activ
For Marshall, the notion of beauty is closely connected with our experience of images in the world, which is dominated by idealised, unattain
Marshall’s production of images looks to tackle what he refers to as “a lack in the image bank”, looking at images from across the spectrum o
