Ensemble
Jan Cox, Oh! Those Voices, Boston, 1972. Painting, acrylic on canvas, 127 x 159 cm.
Donna Kukama, NOT YET (and nobody knows why not), 2008. Video, video, 00:04:56.
Danny Devos, Jockel - Bibliografie, 1993. Installation, 400 ingelijste (zwart hout) krantenartikels gekleefd op karton, 31.8 x 23 cm per lijst.
Loreta Visic, Washuis [Laundry House], 2000. Installation, iron, clothing, washing line, 420 x 350 x 500 cm.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will