Ensemble
Minnette Vári, Alien, 1998. Video, video, monitor.
Nikita Kadan / Нікіта Кадан, The Chronicle / Хроніка, 2016. Drawing, ink on paper, 18 x (15 x 20 cm)/(20 x 15 cm) .
Enrique Marty, Angelica, 2013. Sculpture, acrylverf op polyester op polyurethaan, haar, textiel, metaal, 163 x 50 x 51 cm.
Els Dietvorst, Stigmata, 2018. Drawing, red-black ink on simili japon, 16 x 11.9 cm.
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will