The Suiciders
2013
Book, 22.86 x 15.24 cm, 232 p., language : English, publisher : Semiotexte, ISBN : 9781584351252.
Materials: ink, paper
Collection: Collection M HKA, Antwerp (Inv. no. B 2029/93).
Literary synopsis
During the first decade of the second millennium, a group of seven friends—Zach, Lukas, Adam, Matthew, Peter, Arnold, and Taylor—occupy an indeterminate house in an unidentified American suburb and replay a continuous loop of eternal exile and youth. Permanently in their late teens, the seven young men are as fluid and mutable ciphers, although endowed with highly reflexive, and wholly generic, internal lives. “Once you learn how to love, you will also learn how to mutilate it . . . I want to feel so free you can’t even imagine . . . Let’s get out there and eat some popsicles. There is work to be done.” Eventually, the group decides to remove themselves from the safe confines of the house and to embark upon a road trip to the end of the world with their friend, the Whore, and their pet parrot, Jesus H. Christ. The Suiciders is their legacy.
Chronicling the last days of a religious cult in rural America, Jeppesen’s debut novel Victims was praised by the Village Voice for its “artfully fractured vision of memory and escape,” and by Punk Planet for its masterful balance of “the laconic speech of teenagers with philosophical density.” In The Suiciders, Jeppesen ventures beyond any notion of fixed identity. The result is a dazzling, perversely accurate portrait of American life in the new century, conveyed as a post-punk nouveau roman.
Relation of the novel to the artist’s practice
Travis Jeppesen did two reading performances, eight-hour-long marathon readings of the entire novel, one at the Whitney Museum (as part of the 2014 Whitney Biennial), and another at the ICA in London.
Authorship: Artist Author.
Creative Strategy: Reading Performance.
Genre: Absurdist, Adventures, Analytic fiction, Automatic Writing, Comedy, Erotic/Pornographic, Fantasy, Gothic, Invented Language, Prose poetry.
Publishing: Publishing House.
Theme: Absence, Affect, American Culture, Anarchism, Animism, Art, Bisexuality, Childhood, Community, Death, Desire, Disintegration, Drugs, Fleeing, Freedom, Friendship, Homosexuality, Identity, Landscape, Language, Navigation, Nihilism, Party, Perception, Performative Language, Perverse Sexuality, Post-Apocalyptic, Post-Humanism, Prostitution, Psychedelic Mundane, Secret Societies, Sex, Sexuality, Time travel, Transgender, Truth, Violence.
