LATT: New Art in Antwerp 1958-1962 #3 Creating Totally New Media
24 May 2012 - 02 September 2012
M HKA, Antwerpen
New Art in Antwerp was dedicated to the artist movement G58. Antwerp 1958: alongside a world-class port that grew more every day, was a sleepy, old city where art and culture were not high on the agenda. The meeting between Lode Craeybeckx, Mayor who thinks outside the box, and a group of budding artists who were keen to show their work, led to the creation of G58 Hessen House.
The five episodes of New Art in Antwerp 1958-1962 evoked distinctive moments and characters. They formed a series of nuanced stories with questionable accents. Each episode was linked to a young Belgian artist whose work relates in content and form to what was then new art.
The third episode was about the ground-breaking exhibition Vision in Motion/Motion in Vision which hijacked the Hessen House in the spring of 1959. With work by Robert Breer, Pol Bury, Yves Klein, Heinz Mack, Bruno Munari, Otto Piene, Dieter Roth, Jesús Rafael Soto, Daniel Spoerri, Jean Tinguely, Günther Uecker and Paul Van Hoeydonck. With an insert by contemporary artist Bart Stolle.
Items
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Form Phases II
Robert Breer, Form Phases II , 1953. Film, 16 mm film , 00:03:30.
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Auto-Theatre
Daniel Spoerri, Auto-Theatre, 1959-2012. Assemblage, variable dimensions.
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Eyewash
Robert Breer, Eyewash, 1958-1959. Film, 16 mm film transferred to dvd, black & white, 00:06:00 .
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Lichtrelief
Heinz Mack, Lichtrelief, 1958. Sculpture, aluminium, wood, stainless steel, 48.3 x 46.3 cm .
Media
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Bart Stolle
The oeuvre of Bart Stolle includes rigorous animations, precisely composed paintings and an archive that serves as the basis for his installa
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Bruno Munari
The multi-facetted Italian artist and designer Bruno Munari exhibits together with the Futurists in the 1930s. He designs books and objects
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Jesús Rafael Soto
The Venezuelan painter and sculptor Jesús Rafael Soto lives and works in Paris from 1959 onwards. He paints abstract canvases, and then star
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Robert Breer
Robert Breer was not only a sculptor; he gained fame as an experimental filmmaker as well. In fact he is best known for his film work, where
Ensembles
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