M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: EXTRA MUROS: DE INTERNATIONALE - Museum of Affects

Moderna Galerija, Ljubljana

26 November 2011 - 29 January 2012

©Museum of Contemporary Art Metelkova, Ljubljana, Slovenia

L'Internationale is a European joint venture between five museums and artists’ archives - Moderna Galerija Ljubljana, M HKA, Van Abbe Museum, Eindhoven, Barcelona MACBA, Julius Koller Society, Bratislava and Warsaw KwieKulik Archive – who exchange their collection pieces among each other. Unlike the powerful art institutions, which pursue ambitions of world domination, L'Internationale wants to be an alternative cooperation framework that achieves transnational and polyphonic accounts and give visibility to the mutual agreements that typify the different collections. In the first project, an innovative approach to the neo-avant-garde art from 1956-1986 is sought on the basis of various conferences and exhibitions.

In Museum of Affects, artworks were brought together that were created in very diverse conditions: under the totalitarian regimes of the former Soviet Union and Yugoslavia, under the dictatorship of Franco in Spain, under the dictatorship in which the 'public enemy' was murdered in Argentina, or the dictatorship where the latter was exiled in Brazil ... But also from the United States that enjoyed supremacy in the corresponding period in the arts, or in Western Europe, where the same United States was the big brother and role model. Nevertheless, there are - from this diversity - common values to be found in these works. Not the formal characteristics but the notion of ‘the intensities of a work of art’ was taken as a guideline: what was the intention of the artist when he created his work, what was important to him and what did he want to achieve?

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> Jacques Lizène, Peinture à la manière fécale, 1977. Dessin mediocre d'art syncretique, 1964. Olivier croisé sapin croisé palmier croisé cactus. Remake 2010 et projection vidéo. , 1964-2010. Mixed Media, mixed media, canvas, video projection, 200 x 150 cm.

> Jacques Lizène, Chaise découpée [Cut-Up Chair], 1964-2008. Sculpture, wood, canvas, 83 x 40 x 35 cm.

> Stanley Brouwn, This way Brouwn, 1964. Drawing, ink, paper, 32.9 x 25.5 cm.

> Luc Deleu, Le PAQUEBOT "FRANCE". Voorstel tot recycling van de SS "France" door ombouw tot ideeëntransportschip na de installatie aldaar van de Europa Medium Universiteit, 1970. Print, ink, laminated paper, 116 x 111 cm.

> Guy Mees, Water te Water [Water to Water], 1970. Video, dvd, 00:03:13.

> Lawrence Weiner, A City Shored, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.

> Lawrence Weiner, A City Dragged, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.

> Guy Mees, Zonder titel (Trap) [Untitled (Stairs)], 1970. Film, 16mm film, 00:01:00.

> Robert Filliou, 7 Childlike Uses of Warlike Material, 1971. Print, ink, paper, 7 x (49.5 x 69.5 cm).

> Paul De Vree, World : War + Sex, 1972-1979. Print, ink, paper, 430 x 610 mm.

> John Baldessari, Throwing 3 Balls in the Air to Get a Straight Line (Best of 36 attempts), 1973. Print, ink, paper, 14 x ( 22.8 x 33 cm).

> Anne-Mie Van Kerckhoven / AMVK, Te veel van het goede, 1974. Drawing, east-indian ink, pencil, paper, Geheel: 38.5 x 47.5 cm, Tekening: 17 x 10.2 cm.

> Ed Ruscha, Sand in Vaseline, 1974. Painting, egg yolk, satin, 91.5 x 101.5 x 1.7 cm.

> Ed Ruscha, Pure Ecstasy, 1974. Painting, tea, moiré silk, 91.4 x 101.6 x 2.2 cm.

> Luc Deleu, SATURNUS V. Voorstel de bestaande raketten te gebruiken om (nucleair) afval naar de zon te schieten [Proposal to Use Existing Rockets for Shooting (Nuclear) Refuse to the Sun], 1975. Print, ink, paper, 115 x 98.5 cm.

> James Lee Byars, The Intellectual Murderer Shoes, 1975. Installation, fabric, shoes, 23 x 33 x 13 cm.

> Hamlet Hovsepian, Yawning, 1975. Video, dvd, 16 mm film, 00:02:20 min.

> Anne-Mie Van Kerckhoven / AMVK, Metamorfose van haar fatum, 1976. Drawing, east-indian ink, pencil, paper, framed: 38.5 x 47.5 cm, drawing: 27 x 36 cm.

> Luc Deleu, MONTREAL STADIUM (MODEL) Voorstel voor naakte Olympische spelen,1976 te Montreal [Proposal for Naked Olympic Games in Montreal in 1976], 1976. Print, ink, paper, 114.5 x 99 cm.

> Daniël Dewaele, 24.800 m² sculpture [24.800 m² Sculpture], 1976. Intervention, ink, paper, 18 x (29.5 x 21 cm).

> Jacques Lizène, Etre son propre tube de couleur. Peinture à la manière fécale. Peinture analitique (sans y). Remake 1995. En remake 2010. [To be Your Own Paint Tube. Painting in the Fecal Style. Analitic Painting (without y). Remake 1995, as a Remake 2010], 1977-2010. Mixed Media, mixed media, canvas, 100 x 80 cm.

> Vito Acconci, Tonight We Escape from New York, 1977. Collage, b/w photo, crayon, paper, plexi on black aluminium, 151 x 118 x 5 cm.

> Lili Dujourie, Koraal [Coral], 1978. Video, 00:06:23.

> Tibor Hajas, Untitled (Flesh painting Image Whiping, Surface torture, Exercises, Extinction, Blue Overdosed), 1978-1979. Photography.

> Dan Flavin, Untitled (to the real Dan Hill) 1b, 1978. Sculpture, neon, 244 x 12 x 22 cm.

> Paul De Vree, Some like it hot, 1979. Print, ink, paper, 630 x 410 mm.