Exhibition: The collection I – Fall 2002
©Photo: Syb'l S-Pictures
WorksShow artists
> Lawrence Weiner, A City Shored, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
> Lawrence Weiner, A City Dragged, 1970. Installation, adhesive letters, 20.8 x 140.3 cm.
> Maurizio Nannucci, This side is red, 1970. Installation, neon, 400 x 30 cm.
> Michael Druks, Reordering of communication forgery nº4 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 95 x 73 cm.
> Michael Druks, Reordering of communication action, making him smoke making him drink, 1973. Photography, adhesive letters, photographs, bristolpaper, 54 x 79.5 cm.
> Michael Druks, Reordering of communication forgery nº 2 making her peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
> Michael Druks, Reordering of communication forgery nº 1 making him peep, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 54.5 cm.
> Michael Druks, Reordering of communication action shut-up, 1973. Photography, adhesive letters, photographs, bristolpaper, 79.5 x 55 cm.
> Dan Graham, Untitled, 1974. Drawing, b/w photo, 12 x (40 x 55 cm).
> Vito Acconci, Tonight We Escape from New York, 1977. Collage, b/w photo, crayon, paper, plexi on black aluminium, 151 x 118 x 5 cm.
> Vito Acconci, Tonight We Escape from New York, 1977. Collage, b/w photo, crayon, paper, plexi on black aluminium, 151 x 118 x 5 cm.
> Adriaan De Regt, Road Voice (Project Sound Sculpture II), 1979. Sculpture, stones, 40 x 1000 cm.
> François Hers, Hommage à Gordon Matta-Clark, 1980. Photography, black and white photography, 10 x (83,5 x 83,5 cm).
> Allan McCollum, 100 Plaster Surrogates, 1982. Installation, oil, plaster, 218 x 950 x 5 cm.
> Fabrice Hyber, Chantier [Workspace], 1982-1994. Installation, pastel, chalk, oil, paper, 80 x 121 cm, 48 x 62.5 cm.
> Daniel Buren, Tissu rayé sous verre peint découpé en 25 parties égales, n°12, 1982. Installation.
> Cindy Sherman, Untitled No 120 A, 1983. Photography, photo, paper, 55 x 89 cm.
> Cindy Sherman, Untitled No 121 A, 1983. Photography, photo, paper, 53.5 x 88.2 cm.
> Thomas Ruff, Zonder Titel (Portret van Frank Müller) [Untitled (Portrait of Frank Müller)], 1985. Collage, photograph, 210 x 167 x 4 cm.
> Fabrice Hyber, Barrage [Dam], 1986. Painting, oil, canvas, 24 x 41 cm.
> Bruce Nauman, Violent Incident-Man/Women Segment, 1986. Installation, vhs, 00:00:28.
> Donald Judd, 157-166 Untitled, 1988. Print, glass, paper, 10 x (60 x 84 cm).
> Fabrice Hyber, Portrait de l'homme de Bessine [Portrait of the Man from Bessine], 1991. Drawing, pin, cardboard, 79 x 60 cm.
> Hermann Pitz, Duplex Rehearsal, 1992. Installation, light box, 125 x 10 x 62 cm.
> Hermann Pitz, Fridericianum erstes Obergeschoss [Fredericianum, First Floor], 1992-1994. Sculpture, wood, resin, linoleum, 150 x 80 x 400 cm.
> Jimmie Durham, Jesus. Es geht um die Wurst [Jesus. It's about the Sausage], 1992. Sculpture, wood, iron, steel, ink, paper, acrylic, mud, glue, 152 x 40 x 113 cm.
> Mark Manders, Fragment uit zelfportret als gebouw [Fragment from self-portrait as a building], 1993. Installation, yton, foil, steel, variable dimensions.
> Richard Artschwager, Platzmöbel [Place Furniture], 1993. Sculpture, wood, steel, acrylic, formica, 172 x 120.7 x 2.5 cm, 155 x 167 x 5 cm.
> Marlene Dumas, Sacrifice, 1993. Painting, oil, canvas, 70 x 90 cm.
No image
> Dennis Adams, Hematuria, 1994. Sculpture, wood, aluminium, perspex, fluorescent light, cibatrans, 84,5 x 89,3 x 58,4 cm.
> Juan Muñoz, Conversation Piece with a Stick, 1994. Sculpture, brass, 158 x 90 cm.
> Mark Manders, Fragment uit zelfportret als gebouw (bundel van vergissingen) [Fragment from self-portrait as a building (bundle of mistakes)], 1994. Installation, mixed media, 102 x 21 x 28 cm.
> Mark Manders, Fragment uit zelfportret als gebouw [Fragment from self-portrait as a building], 1994. Drawing, graphite, paper, 120 x 155 cm.
> Mark Manders, Fragment uit zelfportret als gebouw [Fragment from self-portrait as a building], 1994. Drawing, graphite, paper, 155 x 120 cm.
> Craigie Horsfield, Wieliczka. May 1994 (The artist before his patron X 11/8), 1994. Photography, ink, paper, 71 x 88 cm.
> James Turrell, Skyspace, 1994. Installation, 6.5 x 6.5 x 5.5 m.
> Mark Dion, The Corridor of Extinction, 1995. Installation, mixed media.
> Uri Tzaig, Ahava - Soap Balls, 1996. Installation, videotape vhs, table, monitor, soap balls, plastic tubes, cranse, 80 x 205 x 159 cm.
> Marlene Dumas, Slight Delight, 1996. Drawing, aquarelle, paper, 125 x 70 cm.
> Marlene Dumas, Sailor's Dream, 1996. Drawing, watercolour, paper, 125 x 70 cm.
> Marlene Dumas, Mis-Cast, 1996. Drawing, aquarelle, paper, 125 x 70 cm.
> Marlene Dumas, Indian Summer, 1996. Drawing, aquarelle, paper, 125 x 70 cm.
> Marlene Dumas, Blind Joy, 1996. Drawing, aquarel on paper, 125 x 70 cm.
> Eran Schaerf, Silhouette I and II, 1997. Installation, certificate, transparants, doorhandle, euro-palettes, neons, map, variable dimensions.
> Bernard Frize, Ouverture [Overture], 1998. Painting, acrylic, canvas, resin, 185 x 232.5 cm.
> Rodney Graham, Continuous Transformation of the Form of a Child's Sled into that of Another, 2000. Installation, paper, 20.5 x 14 x 2 cm.
> Rodney Graham, Continuous Transformation of the Form of a Child's Sled into that of Another, 2000. Installation, paper, 20.5 x 14 x 2 cm.
> Office Baroque: Maquette van architect Tom Luyckx, 2004. Miscellaneum.