M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste ├ęchte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: The Primacy of the Everyday

The Primacy of the Everyday (with a reflection by Yevgenia Belorusets)

Anna Zvyagintseva celebrates the unheroic ordinary gestures which go unnoticed in the everyday life. War as such is opposed not so much to the vitality of life as to the quality of the ordinary as the fabric of social existence.


Kerry James Marshall (USA, 1955), Wilhelm Sasnal (Poland, 1972), Anna Zvyagintseva (Ukraine, 1986)

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Works

>Kerry James Marshall, Untitled, 1999.Print, colored woodcut on paper, a.p. - out of 4 editions, 220 x 1545,6 cm (12 parts, each 250 x 128,3 cm).

>Wilhelm Sasnal, My Father's Room, 2000.Film, oil, canvas, 62.3 x 79.3 cm.

>Wilhelm Sasnal, Untitled (Gwangju-set), 2002.Drawing, paper, ink.

>Wilhelm Sasnal, Sea Mines II, 2002.Painting, oil, canvas, 32.2 x 30 cm.