Ensemble
Wilhelm Sasnal, Untitled (Gwangju-set), 2002. Drawing, paper, ink.
Оксана Шачко / Oksana Shachko, Без назви (Розіп’ята Діва з серії «Іконоборство») / Untitled (Crucified Virgin from Iconoclast series), 2016. Painting, tempera, egg yolk, gold leaf, wood, 33 x 24 cm.
Hüseyin Bahri Alptekin, Tremor, Rumour, Hoover , 2001. Installation, sequins mounted on plastic plates , 270 x 445 cm .
Jan Cox, Plaats voor nieuwe, 1975. Painting, acrylic on canvas , 270 x 126 cm.
Catastrophe and The Relevance of Art (with a reflection by Nikita Kadan) Art transcends the moment and situationalism. It has a proper au
Space of World Making (with a reflection by Taras Kachka) Any meaningful relation to the world today is ineluctably multi-faceted. In his
The Primacy of the Everyday (with a reflection by Yevgenia Belorusets) Anna Zvyagintseva celebrates the unheroic ordinary gestures which go
A Historical Landscape of War (with a reflection by Yevhenii Monastyrskyi) The point of departure for the opening space is a historical land