M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Johanna Kandl

° 1954

Born in Vienna (AT), lives in Berlin (DE), lives in Vienna (AT).

Johanna Kandl (°1954) studied painting in Vienna and Belgrade. Kandl, who regularly collaborates with her partner Helmut Kandl, often researches the outermost edges of the European Union and the neighbouring 'others'. She was one of the first artists in Austria to react to the transformations that followed the globalisation after 1989 in East and South East Europe.

Kandl works with a wide range of media, but her photographic and cinematic praxis is commonly influenced by her sensitivity as a painter. These links between genres and techniques are visible in her large-scale paintings, resembling monumental enlarged stills from television, portraits that often document the barren conditions of daily life in the rapidly changing political constellations of the former Soviet satellite states and elsewhere.

Kandl academically combines the tradition of historical painting with the bleak reality of the late twentieth and early twenty-first century as reflected by the mass media. By exposing contrasts, such as between the poignant poverty in the former Soviet Bloc and the flashy lifestyle of those who had a good deal thanks to the New Capitalism, she ask who benefits from who, and how, and why? What larger structures are driving this and how can it be deciphered?

 “I like to imagine stories in which events could have – or have taken a different turn …” – Johanna Kandl, 2012

Works

>Johanna Kandl, Ohne titel (Who's got the big picture), 2006.Film, tempera, canvas, 258 x 354 cm.

Exhibitions & Ensembles

> Exhibition: EXTRA MUROS: Geel – Middle Gate II – The Story of Dymphna. 15 September 2018 - 04 November 2018.

> Exhibition: Superdemocracy – The Senate of Things. 01 October 2017 - 31 October 2017.

> Exhibition: The collection XX: Jubilee. Who's got the Big Picture?. 29 June 2007 - 18 November 2007.

> Exhibition: Urgent Conversations Athens - Antwerp. 31 October 2016 - 05 February 2017.

No image

> Ensemble: Benedenverdieping | Ground Floor.

> Ensemble: Collectie Vlaamse Gemeenschap.

> Ensemble: Middle Gate.

> Ensemble: MIGRATIE | MIGRATION.

> Ensemble: MOBILITEIT / MOBILITE / MOBILITY / MOBILITÄT.

> Ensemble: NUCLEUS.

> Ensemble: SUPERDEMOCATIE / SUPERDEMOKRATIE / SUPERDEMOCRACY.

No image

> Ensemble: Urban Landscape.