Born in Liège (BE), lives in Liège (BE), born in Antwerp (BE), based in Antwerp (BE).
Jacques Lizène (°1946, Ougrée, België) is one of the most productive members of the Liège artists’ collective CAP (Cercle d’Art Prospectif, ‘Circle of Prospective Art’), which also included Pierre Courtois, Jacques Lennep, Jacques-Louis Nyst and Jean-Pierre Ransonnet. In 1972–1982 they developed a considerable body of work that we would now call ‘relational’. Their outlook was reminiscent of the Fluxus movement, although Lizène characterises his own work as ‘Non-Fluxus’. Fluxus embraces life, but Lizène claims to be working against it, and does not hesitate to use his own person to prove this, having had a vasectomy performed at an early age.
Lizène sees his works as products put out by a virtual Institut de l’Art Stupide. They are ‘easy’, ‘unimportant’, even ‘ridiculous’. He rebels against many things, but especially against the values and attitudes of the elite art world. He wants all its institutions to suffer the agony of ridicule: the museum, the gallery and not least the artist. Lizène makes fun of all ‘serious’ aesthetic discourse that is in fact nothing but pretentious empty speech. That is why he presents itself as ‘a minor master from Liège from the second half of the 20th century’. Yet it is precisely this self-deprecation that brings Lizène the attention of the institutions against which he rebels.
Ultimately, the ‘fool’ Lizène belongs to the art world he ridicules, and he is well aware of this. The paradox of subversion – that any system can only be undermined from within – underpins his whole practice.
Items View all
Caméra à hauteur des yeux...
Jacques Lizène, Caméra à hauteur des yeux, du sexe, des pieds, 1971. Film, dvd.
Contraindre le corps à s...
Jacques Lizène, Contraindre le corps à s’inscrire dans le cadre, 1971. Photography, 7 dia.
144 tentatives de sourire...
Jacques Lizène, 144 tentatives de sourire... mais l'on sait le vécu quotidien de la plupart des individus, Accompagné de 881 tentatives de rire enregistrés sur cassette, tout d'une traite, 1974. Photography, 135 photographies nb, tirage argentique, marouflées sur carton, et cd audio, 9 x 73 x 61 cm .
Invite Id'A Screen Machine
Hugo Roelandt, George Smits, Baudouin Oosterlynck, Jacques Charlier, Jacques Lizène, Dominique Grégoire , Jef Lambrecht, Invite Id'A Screen Machine, 1986. Miscellaneum, paper, ink (printing), ca. 10 x 10 cm.
Events View all
EXTRA MUROS: DE INTERNATI...
26 November 2011 - 29 January 2012.
L'Internationale is a European joint venture between five museums and artists’ archives - Moderna Galerija Ljubljana, M HKA, Van Abbe Museum,
EXTRA MUROS: Visite Arenb...
29 September 2012 - 20 June 2013.
Under the umbrella term Visite, the M HKA – in collaboration with LOCUS, the hub for libraries, cultural and community centres and local cult
From Broodthaers to Braec...
06 October 2016 - 05 February 2017.
Through representative examples From Broodthaers to Braeckman. Photography in the Visual Arts in Belgium shows how the medium of photography
Superdemocracy – The Sen...
01 October 2017 - 31 October 2017.
The exhibition SUPERDEMOCRACY engages with the collections of M HKA (Antwerp) and BPS22 (Charleroi). The exhibitions allows the voices of ind
Ensembles View all
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
SUPERDEMOCATIE / SUPERDEM...
The voices of citizens are heard louder than ever in parliaments all over the world, while the diversity of who and what these institutions r
Since the Renaissance, inventio(n) has been a key concept in Western art. The painter, sculptor, architect, once a craftsman, became a "free