M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

George Smits

Gsmits bij klanksculptuur Courtesy of the Estate George Smits, Antwerp

1944 - 1997

Died in Antwerpen (BE), born in Antwerpen (BE).

George Smits was a multi-faceted musician and visual artist.  He was a fixture of Antwerp's underground art scene starting in the mid-1960s, and preferably describing himself as a beatnik.It was during his time in art school at Brussels' Sint-Lucasinstituut that he formed a working friendship with the folk-singer Ferre Grignard, often performing together at Antwerp's music-café 'De Muze', home base for Ferre's skiffle band.  George Smits – also known by his nickname 'Toet' – played harmonica and guitar in the band.

In 1968 George Smits established ‘M.A.F.print’ – Mad Artist Foundation: “a one-man association to promote inexpensive art forms, art forms for the public-at-large: posters, comics, actions with an experimental mobile silkscreen studio". In 1969 M.A.F.print became incorporated into E.R.C.O.L.A. (Experimental Research Center of Liberal Arts), a veritable hub of the Antwerp art scene from the early 1970s on.  In 1971 members of E.R.C.O.L.A produce and distribute the underground comic Spruit, a "monthly guy's mag".  De Verhalen van Jan (The Tales of Jan) by MAF-print are chock full of absurdist humour.  During this period George Smits also received recognition (at Jeune Peinture Belge) with his light installations ‘The Colour Company’, where he veritably launches the colour spectrum in the exhibition hall.

In the middle of the 1970s George Smits falls 'under the spell of the egg'.  At a time when painting had been declared dead as an art form, Smits immerses himself in the painting techniques as practised by the Old Flemish Masters.  The psychedelic M.A.F.print-style replete with small figures created through automatic writing and free association now acquires form in tempera and oils.  George Smits would continue to paint right up to the end of his life, his styles and formats evolving over time. Starting in 1980, the interface between sound and image becomes his new field of inquiry.  With sound sculptures made of styrofoam, bamboo sticks, steel springs and cables, he worked to define space in terms of sound waves.  This resulted in performances such as ISOMOPOLIS (1981) at Antwerp's I.C.C. (International Cultural Centre) and participation in Initiatif d’amis  (1984) at the Vooruit in Ghent, as well as many performances in the Netherlands.

During the night-time broadcasts ‘Zbolk Night Radio’ on Antwerp's local Radio Centraal, his musical experiments took the form of ‘radio pictures’.  Beginning in the 1990s, Zbolk combined electronic, digital and acoustic recordings.  Writing about Zbolk in 1994, Smits gives this description: "How far can someone go in constructing acoustic instruments from junk, playing and then recording them, to compose songs on cheap digital equipment with samples of that music, able to mix these songs live on a weekly radio broadcast with the original sounds, and all this without somebody saying: 'You're out of tune, you're a freak, you can get out!'" Released in Spring of 1997 was his CD Zbolk Night Radio, just a few months prior to his sudden death. George Smits saw the creation of cheap art forms for a broader public as 'a higher purpose'.  The extreme integrity with which he pursued this goal is the connecting thread that runs through the utterly diverse œuvre of Toet – M.A.F.print – Zbolk Smits. 



Gsmits bij klanksculptuur



>Invitation INBOX: George Smits

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>George Smits, Koppeke, 1969-1970.Multiple, stempel, amulet.

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>George Smits, Stop Thinking, 1969.Print, zeefdruk.

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>George Smits, The Colour Company, 1970-1973.Film, super 8 films, lichtinstallaties.

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>George Smits, De Verhalen van Jan, 1970-1978.Drawing, oost-indische inkt, calqueerpapier.

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>George Smits, Thalamus, 1970.Print, zeefdruk affiche.

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>George Smits, Zonder titel, 1972.Print, zeefdruk, day-glo verf.

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>George Smits, Ave Dollar, 1972.Print, zeefdruk op acetaat, ingekleurd en gepresenteerd voor aluminiumfolie, 100 x 100 cm.

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>George Smits, Ave Dollar, 1972.Print, silkscreen; ink on paper.

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>George Smits, Luc Deleu, 2 spiegels Skipper, 1973.Installation, 2 mirrors, 60 x 50 cm.

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>George Smits, Boek met proefdrukken en kleurstudies voor café De Schipper, 1973.Poetry, cardboard, paper, silkscreen, 67 x 51 cm.

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>George Smits, Ercola, Vrije Inkom, 1973.Print, zeefdruk.

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>George Smits, 1 Droom van Jan, 1974.Painting, oost-indische inkt, witte verf, bristol papier.

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>George Smits, Zonder titel, 1976-1997.Painting, olieverf op paneel.


>George Smits, Taboe Woewoe, Taboe Loeloe, Taboe Doedoe, 1977.Print, zeefdruk.

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>George Smits, Banjo, 1980.Object, somo - surfboard, branch of fir, string stretcher, shells.

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>George Smits, Glazen staven op piepschuim, 1980.Object, glazen staven, isomo.

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>George Smits, George Smits - Isomopolis (ICC - Antwerpen, 24 april 1981), 1981.Book, ink, paper, 30.5 x 22.2 cm, loose-leaf, language : Dutch, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen .

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>George Smits, George Smits - Mafprint, 1981.Book, ink, paper, 29.1 x 20.7 cm, language : Dutch, author : George Smits, publisher : de Warande, Turnhout.

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>George Smits, Slagvoorwerpen uit natuur, 1981.Mixed Media, wreck wood, sticks, cords, elastic bands, variable dimensions.

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>George Smits, Witte muizen, 1982.Installation, isomo, coil spring, percussion instrument.

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>George Smits, Transformatie tot aanslagvoorwerp, 1984.Mixed Media, mixed media.

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>George Smits, Instrument voor 1 lied, n°1, 1986.Object, mixed media.

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>George Smits, Zelfportret, 1993.Painting, olieverf op paneel.

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>George Smits, Zelfportret, 18/12/’93, 1993.Article, olieverf op paneel.

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>George Smits, Zelfportret, 17/12/’93, 1993.Painting, olieverf op paneel.

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>George Smits, Zelfportret, 1995-1996.Other, 41 x 34 cm.

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>George Smits, Inspiration, 1995.Painting, olieverf en tempera op doek.

Exhibitions & Ensembles

Amberes proef

> Exhibition: AMBERES – Roberto Bolaño’s Antwerp. 07 June 2019 - 15 September 2019.

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> Exhibition: ARCHIVE PRESENTATION: T.O.P. office. 13 February 2021 - 25 April 2021.


> Exhibition: ERCOLA 1968–2018. 15 September 2018 - 06 January 2019.

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> Exhibition: INBOX: George Smits. Episode 2: MAFprint experimentele zeefdrukken & affiches / Underground comics 'De verhalen van Jan' / Super 8 films 'The Colour Company Presents' / Schilderijen. 26 November 2015 - 03 January 2016.

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> Exhibition: INBOX: George Smits, Toet – M.A.F.print – Zbolk. Episode 1: ISMOPOLIS klanksculpturen – documenten Zbolk radio pictures. 30 October 2015 - 22 November 2015.

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> Ensemble: Artist Books.

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> Ensemble: kunstenaarsboeken uit de jaren '80 [artists' books from the 80s].