Born in Kapellen (BE).
Els Dietvorst (°1964) is a socially engaged artist, who uses her visual work as a means of creating social involvement. She graduates from the Sint Lucas School of Arts in Antwerp and holds a Master of Fine Art from the LUCA School of Arts in Brussels. Dietvorst lives and works in Ireland since 2010.
Even in her socially focussed work, Dietvorst finds ways of expressing herself in a highly personal manner, making use of an incredibly wide range of media; along with sculptures and installations, drawing, writing and recently through the creation of visual installations. Her work is focussed on the myriad forms of social communication and interpersonal relationships and conflicts, which she expresses in striking social-artistic projects, such as De Terugkeer van de Zwaluwen [The Return of the Swallows] in Brussels’ Anneessenswijk. The position of the outsider is something Dietvorst specifically focuses on, directing her gaze – sometimes over the span of several years – towards those persons and events that would otherwise go unnoticed. At any given moment she can be found collecting these types of snippets and fragments, assembling them in her pieces. This isn't necessarily to point out injustice, rather her purpose is to personally develop an understanding, to keep track of the bigger picture, and contextualise different events. Her summaries of reality are a visual archive, serving as both mirror and a chamber for reflection.
Her sculptures too, − crafted from perishable materials such as wood and loam − direct the gaze towards social circumstances such as war, famine and the refugee issue. This is how, for example, the “Skulls” series was created. The skulls allude to the violence of war, but also point towards the existential experience of dying, a process shared and suffered by all.
Items View all
Mandrake, Manhole, Bunker...
Els Dietvorst, Mandrake, Manhole, Bunker, Trou, 2003. Drawing, red-black ink on simili japon, 16 x 12.5 cm.
Drunken Morning (videoloo...
Els Dietvorst, Drunken Morning (videoloop 'Illusions'), 2000. Poster, 00:10:00.
Events View all
28 April 2017 - 31 December 2021.
For the first time, the M HKA will be able to present a permanent collection exhibition with iconic masterpieces from Flemish and internation
06 July 2019 - 03 November 2019.
Orla Barry and Els Dietvorst centre their work around human interaction and the relationship between mankind and nature. The oeuvres of both
Ensembles View all
GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin