Bruno Schulz

1892 - 1942

Born in Drohobycz (Ukraine).

Bruno Schulz was born in Drohobycz (now Drogobych, Ukraine), into a Jewish family. The area was then part of the Austrian Empire. His father run a clothing shop, but left it to the care of his wife due to his poor health. Also a very important figure in the house was the sadistic maid. Schulz studied architecture at Lvov University and fine arts in Vienna, specializing in lithography and drawing. After returning to his native town, he worked from 1924 to 1939 as an art teacher in the local gymnasium. Schulz did not start his literary career until the 1930s. His reviews appeared in literary magazine Wiadomosci Literackie, he corresponded with such avant-gardists as Witold Gombrowicz and Stanislaw Ignacy Witkiewicz, but mostly Schulz lived far from the literary circles. In the mid-1930s he spent some time in Warsaw and visited also Paris. Although Schulz's correspondence with the Yiddish poet Deboah Vogel and other women was intense, he never married. In 1941 Drohobycz was occupied by the Nazis. A Gestapo officer, Felix Landau, liked Schulz's drawings, arranged him a pass out of the ghetto, and commissioned him to paint frescoes in his house. Landau killed a Jewish dentist who was protected by another Gestapo officer, Karl Günther. In the "Aryan" quarter Schulz was spotted by him, and shot in retaliation, on the street in November 19, 1942. The manuscript of his third and last novel, entitled Messiah, is said to exist in the KGB archives relating to the Gestapo.

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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