M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Toute prédication, 1966-2002

Print, 98 x 98 cm.

Toute pr%c3%a9dication 1966 ©image: M HKA

Collection: Collection M HKA, Antwerp (Inv. no. S0330_12).

Toute prédication est un attantat à la liberté de l’homme. La poésie comme je la conçois, n’est plus la femme de chambre, des princes, prélats, politiciens, partis, ou encore du people. Elle est enfin elle même. (PDV, 1966)

In his audiovisual poetry Paul De Vree had taken an important step towards a gradual integration into the evolution of the modern art of poetry. He found himself at a crossroads where one road led to the exploration of sounds and the other to the visual. The poem Toute prédication (1966) embodies the manifesto of De Vree’s audiovisual and concrete-visual poetry. It is not a concrete poem in the usual sense, but a statement about this poetry. The poem is set in a circle. De Vree is referring to the obvious way sound poetry was released on LP records. By producing the work on paper instead of on a record he is referring to the potential offered by the visual. In the text he dismisses ‘preaching’, any message communicated by poetry: ‘toute prédication est un attantat à la liberté de l’homme’, (all preaching is an attack on man’s freedom).

Poetry can only refer to its own reality. ‘Ne se referant à rien d’autre qu’à la sensibilité d’être’, (not referring to anything other than the sensitivity of being).

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Kunstenaar

Pdv foto 1975 icc dt 03

> Paul De Vree.

Tentoonstellingen & Ensembles

Toute pr%c3%a9dication 1966

> Ensemble: Audio - Visuele Poëzie [Audio Visual Poetry].