After 1967, De Vree’s poetry became increasingly engaged and critical of society. In 1971, together with the Italian poet Sarenco, he founded
La collection d’art moderne du M HKA a grandi grâce à une combinaison d’achats, de dons et d’emprunts de longue durée de diverses collections
POETICAL LICENSE This notion emerged from a work by Sarenco when we were pairing him and Paul De Vree with Costis, during a reflection on
Pas de description.