Installation, 250 x 1995 x 1351 cm.
Materials: wood, metal, dvd, monitor
Collection: Collection M HKA, Antwerp (Inv. no. BK7470_M325).
We are facing an open construction. It is a labyrinth, but also a clean-cut spatial structure. As we enter Uffizi Porte twelve doors lead us to a succession of new rooms. The different spaces all refer to an office where a well-defined activity is performed. These offices are no imaginary constructions. In 1994 Pistoletto launches his art manifesto, Progetto Arte [Project Art], which places social transformation in the centre of attention for art, artists and those politically responsible. The manifesto led to the establishment of Cittadellarte, a large workshop where different segments of society can come together, through creativity, in exhibitions, debates, concerts, performances. As with natural processes, the ‘Cittadelarte cell’ has been divided into several cells or offices that work in certain sub-segment of society. The cells work independently but form an organism together. The open structure of Uffizi Porte underlines this symbiosis. This term refers to offices during the Italian Renaissance, such as the banking office of the Medici family, where the economy, art, philosophy, politics and other aspects of society were amalgamated. Or we might remember the studios of Renaissance artists, where science, production and the economy joined forces with visual creation, thinking and spirituality. The use of doors is not insignificant. Pistoletto regards his works not as windows unto reality but precisely as doors through which we enter the real world.
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The collection XXXII – Pe...
07 December 2012 - 21 April 2013.
2013 was the ‘year of the collection’. Two large exhibitions and an extensive book put the contents of the M HKA collection on the map and po
LATT: MUHKADEMIE 2013
27 September 2013 - 05 January 2014.
In 2013, the Royal Academy of Fine Arts Antwerp marked its 350th anniversary. This makes it the fourth oldest art school in the world and the
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The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
Collectie Vlaamse Gemeens...
The M HKA holds works on permanent loan that were acquired with the budget of the Vlaamse Commissie voor Beeldende Kunst (Flemish Visual Art