Autorijschool Z [Car - driving school Z]
Installation, 260 x 535 x 1024 cm.
Materials: mixed media
Collection: Collection M HKA, Antwerp (Inv. no. S0032).
In 1979 Guillaume Bijl wrote a fictional pamphlet in which he stated that the government had decided that art was socially irrelevant and that art spaces should be converted into places of benefit to society. The first work of art in this ‘Art Liquidation Project’ was the installation *Driving School Z *(1979). Bijl closed the Ruimte Z gallery in Antwerp and transformed it into a socially beneficial institution, a driving school. He fitted out the space with all the accessories associated with a driving school and so created a perfect imitation of reality. Over the front window hangs a sign saying Autorijschool Z (‘Driving School Z’). The scene was set so meticulously that chance passers-by assumed the gallery had become a driving school. The illusion was perfect. The artist also realised that when assembling the installation he was acting as a sculptor in his choice and arrangement of the objects. *‘Every installation I create is actually thoroughly well-considered. What I make is always like a stage set. It is composed in a deliberate, reasoned way so as to portray reality’*
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Events View all
Guillaume Bijl – “40 YEAR...
14 September 2019 - 05 January 2020.
Autorijschool Z marks the starts of a whole series of installations which Belgian artist Guillaume Bijl initiated in 1979 and which he himsel
The collection XXVIII – I...
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De Verzameling II en een ...
30 June 1990 - 04 November 1990.
'De Verzameling II' showed a selection of the M HKA collection. Artists: Ulay & Marina Abramovic, Guillaume Bijl, Jean Marie Bijtebie
Ensembles View all
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
= reality in unreality In the Transformation Installations Guillaume Bijl transforms the neutral setting of an art gallery or museum into a
GUILLAUME BIJL ENSEMBLE
"Society is not as idealistic as one imagines. That's also why I seriously question society, the civilisation in which we live. In the face