Ensemble
Joëlle Tuerlinckx, Untitled, 1999. Print, ink, paper, 50 x 35 cm.
Liza May Post, Duwen, 1994. Photography, colour photograph, 125 x 294 cm.
Paul Klee, Sollte Steigen, 1932. Painting, oil, watercolour, canvas.
André Cadere, Barre de bois rond (rouge, jaune, bleu), 1974. Sculpture, wood.
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need