M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Addressing Memory

ADDRESSING MEMORY

This is an issue that came to mind when we paired the work of Luc Tuymans with that of Ilias Papailiakis and Wilhelm Sasnal.

How does the memory of an image relate to the image of a memory? Figurative painting has an affinity with memory, as both are constructs of mental activity, relating past and present. Images do not arise when a painter stops looking at an image nor at the moment the brush touches the canvas. They are mental constructs, determined by social and ideological filters and -in art- steered by artistic intent. Painting from memory and painting from life are more closely related than would be expected.

In Flemish Village Tuymans paints a sober image of the idyllic Flemish village of Lissewege. The church tower, which looks rather squat, has been cut off so that the space is even more claustrophobic. Similarly, but more in an attempt to capture things rather than in creating a distant echo of memory, Sasnal paints sea mines from a museum on the Polish coast, and the room in eastern Germany in which his father stayed as a guest worker. Papailiakis makes an attempt at painting a nocturnal landscape from memory from a trip to a place defined as the “East”.

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Works

>Luc Tuymans, Vlaams dorp [Flemish village], 1995.Artist Novel, oil, canvas, 110.5 x 144.5 cm.

>Wilhelm Sasnal, My Father's Room, 2000.Film, oil, canvas, 62.3 x 79.3 cm.

>Wilhelm Sasnal, Sea Mines II, 2002.Painting, oil, canvas, 32.2 x 30 cm.

>Wilhelm Sasnal, Sea Mines I, 2002.Film, oil, canvas, 40.5 x 40 cm.

>Ilias Papailiakis, Study for a greek landscape #1, 2013.Painting, oil, canvas, 38 x 35 cm.