M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: COLLAPSE / INSTORTING / EFFRONDEMENT

image: © M HKA, Courtesy Alexander Lee

A second alternative future is ‘Collapse’ from one cause or another (or their combination) and either to extinction or to a ‘lower’ stage of ‘development’ than currently. […] It should be emphasised that the ‘Collapse’ future is not and should not be portrayed as a ‘worst case scenario’. Many people welcome the end of the ‘economic rat-race’ and yearn for a simpler lifestyle. Moreover, in every ‘disaster’ there are ‘winners’ as well as ‘losers’. (Jim Dator, Alternative Futures at the Manoa School , 2009.)

The second of the ‘four futures’ could be the most titillating. Who doesn’t secretly like to witness disaster and collapse – at a safe distance, in an art museum? But rather than offering graphic representations of doomsday scenarios, this segment of the exhibition looks at the ‘before and after’ of collapse, with under-the-skin glimpses of the American psyche that seem to prefigure both 9/11 and Trumpism (Michel Auder), the calm spectacle of nature reclaiming a failed real estate investment in the tropics (Simryn Gill) or a reality where all that was ‘normal’ has evaporated (Center for Postnormal Policy & Futures Studies).

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Works

>Michel Auder, It's Hard To Be Down When You're Up, 1976-2007.Video, b/w video, sd, sound, 00:20:36.

>Michel Auder, Voyage To The Center Of The Phone Lines, 1993.Video, hi8 video and mini dv to digital video sd, colour, sound, 00:52:46.

>Simryn Gill, My Own Private Angkor, 2007-2009.Print, 90 silver gelatin prints, 90 x (39.37 x 37.46 cm).

>Simryn Gill, Let Them Eat Potatoes, 2015.Print, luis vuitton writing ink on hahnemuhle paper, 205 x (60.96 x 43.18 cm).

>Michel Auder, 1967, 2015.Video, 16mm film transferred to digital video, silent, 00:21:28.

>CENTRE FOR POSTNORMAL POLICY & FUTURES STUDIES , Polylogue, 2017.Installation, interactive board game, product design by effusion, london.

>CENTRE FOR POSTNORMAL POLICY & FUTURES STUDIES , Postnormal Times, 2017.Installation, installation with text, banners, objects and moving image - exhibition design by aine cassidy and her colleagues at effusion, london.

>Simryn Gill, Windows, 2017.Photography, 17 c type photographs.