M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Antwerpen / Anvers / Antwerp / Antwerpen

Joseph Beuys and Henning Christiansen, Eurasienstab, Fluxorum organum opus 39 (16mm film still), 1968. Camera Paul De Fru. Courtesy Wide White Space archive, © SABAM (Belgium), 2017

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Joseph Beuys visited Antwerp in the late 1960s and early 1970s for exhibitions and events at Wide White Space Gallery run by Anny De Decker and Beuys’ former student Bernd Lohaus. It was here for example on February 9, 1968, Beuys and Henning Christiansen's action Eurasienstab (Eurasian Staff) took place. At that time, Beuys was little known outside Germany, but it was here that Beuys was brought into contact with artists such as Marcel Broodthaers and Panamarenko.

Antwerp was connected to Beuys’ hometown of Cleves through his depictions of swans in many works. The bird was a reference to Wagner’s Lohengrin, an opera following in the Swan Knight tradition, set on the banks of the river Schelde in Brabant. The tradition of the Swan Knight tale in Europe was also the inspiration for the Schwanenburg Castle in Cleves.

In 1980, the first subsidiary of Beuys Free International University (FIU) outside Germany was founded, in Antwerp. At regular intervals, and for four years, artists and other thinkers in Antwerp inspired by Beuys had conversations about ecology, art and politics.

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Works

>Joseph Beuys, Schwäne, 1953.Drawing, watercolour; pencil on paper, 25.4 x 37.5 cm.

>Joseph Beuys, Demonstration für Lohaus, 1962.Collage, pencil, oil colour, water colour, gold colour on paper, adhesive edges, paper, 22 x 15.4 cm.

>Joseph Beuys, Eurasienstab, 1968.Poster, ink on paper, 15 x 15 x 25 cm.