Lives in Antwerp (BE), born in Kapellen (BE).
Vaast Colson (°1977, Antwerp, Belgium) studied painting at the Royal Academy of Fine Arts in Antwerp and obtained a postgraduate degree in Breda.
Colson belongs to a younger generation of Antwerp artists who could be called ‘post-ironic’. These artists don’t shy away from the big questions revolving around the place and role of the artist in society and the world around them. Colson's works examine core questions: what power does art have to change us and our society, what emotions and ethical choices guide an artist in a process of continuous change? From a spontaneous and rather naive approach to art and performance, Colson wants to shape his ideas. He opens up the artistic field and explores what is happening in the art world. Everything he undertakes can thus be considered as artistic intervention.
In his work, Colson constantly questions the relationship with the audience and is also strongly interested in mythology, and by the authentic (or not) mystique of the artist's existence, which he usually explores in his performances. The process is always important, but the end result, which is variable for Colson and influenced by the context, is an important part of his work.
In addition, Colson explores the commercial side of the art world and the economic consequences of artistry. His works, which are regularly made in situ, are often difficult to sell. The commercial potential and the associated value assessment are problematic for Colson. The making of editions can be understood in this context.
Items View all
You used to be part of so...
Vaast Colson, You used to be part of something, 2005. Installation, wood, foam.
Old Town Canoe
Vaast Colson, Old Town Canoe, 2015. Sculpture, concrete, plastic, metal, led, Variable dimensions.
Very Good Good Not So Goo...
Vaast Colson, Very Good Good Not So Good Bad, 2015. Installation, plastic tubes, frames posters, Variable dimensions.
Events View all
Superdemocracy – The Sen...
01 October 2017 - 31 October 2017.
The exhibition SUPERDEMOCRACY engages with the collections of M HKA (Antwerp) and BPS22 (Charleroi). The exhibitions allows the voices of ind
Salon de Peinture
17 January 2019 - 31 March 2019.
For those who were still in doubt: painting is thriving. In two M HKA spaces, the exhibition Salon de Peinture offers a picture of the curren
Let's Play Museum
10 June 2023 - 17 September 2023.
Come and play at the M HKA this summer. Dangle on Kati Heck's swing, or play a game of bowling on Dialogist-Kantor's bowling alley. If you wa
Ensembles View all
Since the end of May 2002, the M HKA has strayed from the beaten track of museum catalogues. The M HKA does not consider a systematic thereof
De M HKA - Collectie [The...
“Works in the M HKA collection are often large and have a presence without being especially tangible.” – Narcisse Tordoir For the third sect
Aanwinsten 2016 [Acquisit...
M HKA built up a substantial art collection from the former Soviet Union through earlier commitments in various movements, which can be used
Aanwinsten 2017 [Acquisit...
In 2017, the collection was enriched by the international avant-garde from our region in the 60s and 70s, with an emphasis on performativity