1926 - 1987
Born in Sauve (FR), died in Les Eyzies (FR).
"L’art est ce qui rend la vie plus intéressante que l’art" - Robert Filliou
Robert Filliou was a French neo-Dadaist also involved in the Fluxus movement. Throughout his career, the “genius without talent” - as he described himself - has made films, actions poems, sculptures and performances. The vast number of editions and multiples were as important to Filliou as the ‘unique’ works allowing for the ludic, Fluxus-inspired element in his work to blossom. In 1978, Filliou jestingly reduces art’s relation to life to a simple mathematical formula stating that “art is a function of life plus fiction, with the fiction approximating zero”. Filliou has proposed in 1963 the celebration of “Art’s Birthday”, suggesting that art had been ‘born’ 1,000 years before, on January 17, a date which is also celebrated by the M HKA.
Items View all
Everybody Is Perfect. Inc...
Robert Filliou, Everybody Is Perfect. Including Me? How About a Science of Perfectology?, 1977. Mixed Media, notestand, photo, collage, 118 x 40 x 35 cm.
Principe d' equivalence
Robert Filliou, Principe d' equivalence, 1968. Mixed Media, wood, iron, felted wool, 200 x 1000 cm.
13 boîtes sans couvercles
Robert Filliou, 13 boîtes sans couvercles , 1979. Mixed Media, crayon on paper, mounted on cardboard and panel, 25 × 195 cm.
Events View all
15 October 2011 - 25 November 2011.
To read more on what the public wants to share about this project, click [here]
Meeting Points 7 – Ten Th...
25 October 2013 - 16 February 2014.
Meeting Points is a multidisciplinary contemporary arts festival aimed at the contextualised presentation of art from the Arab world, organis
LATT: MUHKADEMIE 2013
27 September 2013 - 05 January 2014.
In 2013, the Royal Academy of Fine Arts Antwerp marked its 350th anniversary. This makes it the fourth oldest art school in the world and the
28 April 2017 - 31 December 2021.
For the first time, the M HKA will be able to present a permanent collection exhibition with iconic masterpieces from Flemish and internation
Ensembles View all
Since the end of May 2002, the M HKA has strayed from the beaten track of museum catalogues. The M HKA does not consider a systematic thereof
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
"... They cannot be reduced. They’re not representable. The claim of the complexity of their design is irreducible. They never give the impre