1929 - 1984
Died in Scheldewindeke (BE), born in Ghent (BE).
René Heyvaert (1929-1984, Ghent, Belgium) studied architecture at the Ghent Saint Lucas Institute where his graduating project was a design for a museum. His architectural oeuvre is limited, but considered important in an international tradition in which American architecture was the standard.
His health played a role in his choice to pursue visual arts, but the defining factor was his reflective attitude. In 1972 he held his first exhibition. A wider appreciation only came after his death. In 'Initiative 86', Kasper König put him at the heart of his selection of Belgian art. Since then, Heyvaert has been a key figure of the country's postwar avant-garde.
His legacy is characterised by basic interventions with a geometric quality in materials like wood, cardboard, metal and everyday objects such as a spoons, shoes, a sweeping brush ... The confrontation between these two emphasises both the immanence of the material and men’s mental and mathematical intervention.
Heyvaert's work is understated and sober, but also subversive and disturbing. It can be described as a fundamental formalism, or even fundamentalism. Contrary to what you might think at first sight, Heyvaert's image objects (drawings, small sculptures, everyday objects) are all but sober and modest Kleinkunst. They answer a very concrete and personal need for meditation and are almost an attempt to dictate the viewer's reaction, as if they were statements that leave no room for skepticism.
Items View all
Zonder titel (Broodkruis)...
René Heyvaert, Zonder titel (Broodkruis) [Untitled (Bread Cross)], 1981. Sculpture, bread, wood, 118 x 118 x 4 cm.
Zonder titel [Untitled]
René Heyvaert, Zonder titel [Untitled], 1974-1975. Drawing, paper, 42.1 x 33.1 cm.
Events View all
The collection XXIX – Spi...
20 January 2012 - 29 April 2012.
Curated by Bart De Baere, Jan De Vree, Anders Kreuger (M HKA) en Charles Esche and Steven ten Thije (Van Abbe Museum) Spirits of In
Narcisse Tordoir – The Pi...
13 March 2014 - 25 May 2014.
In the exhibition The Pink Spy, artist Narcisse Tordoir (°1954, Mechelen) tells stories in an intuitive and associative way about the existen
EXTRA MUROS: Visite Borne...
03 May 2014 - 25 May 2014.
Under the umbrella term Visite, the M HKA – in collaboration with LOCUS, the hub for libraries, cultural and community centres and local cult
Superdemocracy – The Sen...
01 October 2017 - 31 October 2017.
The exhibition SUPERDEMOCRACY engages with the collections of M HKA (Antwerp) and BPS22 (Charleroi). The exhibitions allows the voices of ind
Ensembles View all
Het Transcendente [The Tr...
Cross-overs between various levels of reality – dream, vision, utopia – fascinated many artists during the 1960s and ’70s. Their work reveals
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
De M HKA - Collectie [The...
“Works in the M HKA collection are often large and have a presence without being especially tangible.” – Narcisse Tordoir For the third sect