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After returning from Kyoto in 1967 Byars designed plural or participatory garments, such as his Friendship Dress (1968) and A Banana for Five
In the early 1970s, Byars’s overriding interest was the idea of the question. As he wrote in a letter to Isi Fiszman: ‘If the critical questi
Cross-overs between various levels of reality – dream, vision, utopia – fascinated many artists during the 1960s and ’70s. Their work reveals
From early on in his artistic career Byars used geometric figures, especially circles and spheres because of their simplicity and their intri