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James Lee Byars, The Intellectual Murderer Shoes, 1975. Installation, fabric, shoes, 23 x 33 x 13 cm.
James Lee Byars, Moonbook (Stonebooks), 1980. Installation, artist book, sandstone in display case, 3.7 x 41.3 x 29.4 cm, 175.5 x 146 x 46 cm.
James Lee Byars, Extra Terrestrial (Shadow of an Extraterrestrial Man), 1976. Photography, ink, paper.
James Lee Byars, The Perfect Philosophy, 1975. Object, gold.
James Lee Byars, TH FI TO IN PH, 1975. Object, wooden toothpick, 5.6 x 0.2 cm.
James Lee Byars, The Perfect Place ( is on Top of Your Head) , 1976. Performance.
James Lee Byars, A Halo around the ICC , 1976. Performance.
James Lee Byars, James Lee Byars, 1982. Book, ink, paper, 24 cm x 24,3 cm, language : German, English, publisher : Westfälischer Kunstverein, Münster, authors : James Lee Byars & Thomas Deecke .
James Lee Byars, James Lee Byars - The Palace of Good Luck, 1989. Book, ink, paper, 22.5 x 17 cm, 187 p., language : Italian, English, publisher : Castello di Rivoli - Museo d'arte contemporanea, Rivoli (Torino), authors : Rudi Fuchs, James Lee Byars and Gianni Vattimo.
James Lee Byars, The Letter Reading Society of James Lee Byars, 1987. Book, ink, paper, 20.5 x 14 cm, publisher : Galerie des Beaux-Arts, Brussel.
Joseph Beuys, Marcel Broodthaers, James Lee Byars, Beuys 2017 - Broodthaers 2018 - Byars 2019 in Antwerpen (Over drie komende tentoonstellingen in M HKA - Museum van Hedendaagse Kunst Antwerpen, 2017. Book, ink, paper, 28.7 x 20.1 cm, 27 p., language : English, publisher : M HKA Museum van Hedendaagse Kunst, Antwerpen, ISBN : 978-907-282-8569.
James Lee Byars, The Name of the Artist, 1974. Installation, 3 double-sided pieces, black wrinkled tissue paper, glass, wooden frame, 140 x 42.5 cm, 2 x (Ø 42.5 cm).
James Lee Byars, Satie wrote nothing as light as his name, 1977. Photography, gold pencil on photograph, 77.5 x 58 cm.
James Lee Byars, Both, 1978. Sculpture, marble with engraved gilded text, 275 x 138 x 5 cm.
James Lee Byars, Hear TH FI TO IN PH Around This Chair, 1977. Installation, chair, carpets, black silk tent, 357 x 355 x 366 cm.
James Lee Byars, If you don’t wash your own you stay dirty, 1960. Print, typewritten on japanese note paper, 25 x 17.5 cm.
James Lee Byars, A White Paper will Blow Through the Streets, 1967. Multiple, offset lithograph printed in black on a white circular paper sheet, Ø 63 cm.
James Lee Byars, The Golden Tower with Changing Tops, 1982. Object, gold-plated bronze, 2 parts, 340 cm, Ø 80 cm.
James Lee Byars, Einstein, Stein and Wittgenstein, 1984-1989. Sculpture, gold-painted furka stones, 8 x 20 x 13.5 cm, 12 x 14 x 12 cm, 10.5 x 23.5 x 16.5 cm.
James Lee Byars, 100 Minds, 1970. Photography, cut from 16mm celluloid, 15.7 x 22 cm.
James Lee Byars, Tribute to the New Generation, 1991. Object, a disc of golden cardboard, with an embossed spiral on one side, Ø 1.8 cm.
James Lee Byars, Selfportrait, 1959. Other, painted wood, black paper ball (in six parts), 161.5 x 33 x 199 cm.
James Lee Byars, The Wings for Writing, 1972. Object, red silk cuffs with feathers, 2 x (48 x 88 cm).
James Lee Byars, The Black German Flag, 1974. Object, black silk, 250 x 470 cm.
James Lee Byars, The Tomb of James Lee Byars, 1986. Object, globe consisted of lime sand brick, 100 x 100 x 100 cm.
James Lee Byars, Untitled, 1959. Other, ink on japanese paper on scroll, 317.5 x 251.5 cm.
James Lee Byars, Two in a Hat, Mask and Dress, 1969. Installation, red silk, ca. 12 m.
James Lee Byars, 75 in a Hat, 1969. Performance, red silk, 13.5 m x 30.5 cm.