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En 2013, la collection fut renforcée par l’avant-garde internationale de notre région, datant des années ’60 et ’70, et mettant l’accent sur
Toute expression artistique a une forme et un contenu (même si le sens se trouve dans le non-sens), et ainsi chaque œuvre d’art a une dimensi
Pas de description.
Matta-Clark termed his activities and that of the group around him as anarchitecture, a contraction of the concepts anarchy and architecture
With electric grinding discs and chainsaws, Gordon Matta-Clark ‘draws’, as it were, in/on/through walls, beams, ceilings and floors. He hand
Gordon Matta-Clark worked a lot in/with/on derelict slum buildings. In the Sixties and Seventies much of the city of New York was down on it
Les films et vidéos réalisés par Gordon Matta-Clark, dont certains sont inédit et ont éte récemment restaurés, conservent la mémoire des perf
To keep *Office Baroque* the 'Foundation Gordon Matta-Clark' was founded in 1979. When Matta-Clark died young in 1978, *Office Baroque* appea
Since the end of May 2002, the M HKA has strayed from the beaten track of museum catalogues. The M HKA does not consider a systematic thereof
La collection d’art moderne du M HKA a grandi grâce à une combinaison d’achats, de dons et d’emprunts de longue durée de diverses collections
Invited by the ICC to come and do something in Antwerp, Matta-Clark reacted enthusiastically. In his first response, he asks only for a ‘spo
“The rings accidentally left behind on a drawing by a teacup, gave me the idea to organize the whole around two semi-circles of slightly diff
At each storey in the office-building, Gordon Matta-Clark made two circular cut-through incisions. In this way, created were various and lar
Why hang things on a wall when the wall itself is so much more a challenging medium? Much of Matta-Clark’s early work consisted of performan
Press items about the demolition of Office Baroque.
L’ICC jouerait de diverses manières un rôle formateur important pour le potentiel de la collection. Flor Bex aspirait une fonction muséale à
Quite conscious of the impermanence of his work, Matta-Clark tried as far as was possible to document his urban interventions, his performanc