M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Christian Boltanski

Christian boltanski ©image: Bracha Ettinger

° 1944

Né à Paris (), vit à Malakoff, Paris ().

During WWII, Boltanski’s Catholic mother hid his father (to be) under the floorboards of her house. He himself was born on the same day that Paris was liberated. In his oeuvre since the mid-‘80s, the artist has referenced the horrible implications of this war (the Holocaust), but also draws more universal connections as well. It is not about showing his own grief but rather about making us aware of a far-off pain and an anonymous loss. He makes space-filling installations with titles like Monument, Archives or Reserve. Boltanski proceeds like a sociologist of memory, visualizing the dark side of history in a near-sacred manner. With everyday artifacts of ordinary people (like photographs, clothing, household goods), he reconstructs more a past than a history as such. The history that is usually dominated and overloaded by ‘great events’ that we are taught in school and which is chewed over by the media until we no longer feel connected to it. Boltanski fills in this history with a story on a human level. The artifacts and photographs of people he shows are without name. We ask ourselves who all these things belong to, what are the persons’ names. In this interplay of anonymity and individuality, absence and presence, memory and imagination, we come to the conclusion that all this stuff could be ours, the pictures could be of us.

Werken

Image00062

>Wilfried Huet, Ria Pacquée, Salvador Dalí, Luis Buñuel , Christian Boltanski, GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.8, nr.2, 1 maart 1989, 1989.Periodical, ink, paper, 57.7 x 41.7 cm, 3 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster.

Boltanski christian reserve meurtres 19891990 photo sybl s   pictures

>Christian Boltanski, Réserves: Meurtres [Reserves: Murders], 1989-1990.Installation, wood, paper, light, 200 x 500 x 500 cm.

Tentoonstellingen & Ensembles

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> Ensemble: Collectie Vlaamse Gemeenschap.

P1070558

> Ensemble: NUCLEUS.

Geen foto

> Ensemble: To Sing Hell.