Berlinde De Bruyckere
Lives in Ghent (BE), born in Ghent (BE).
Berlinde De Bruyckere (°1964) makes three-dimensional sculptures, installations and aquarelles. Her older work has a minimalist character. Steel, stone and glass were her materials of choice. Gradually she leaves abstract motifs to seek recourse in recognisable forms and things, introducing the blanket, malleable lead and straw as materials.
More recently, she has extended her personal iconography with striking sculptures of (stuffed) horses and giant (once-) cuddly animals. The beauty of the materials she uses always has something of the fatal in it. The blankets in her sculptures protect and suffocate, the lead roses seduce and poison, the carpet of begonias bear witness to bloom and decay. She intentionally uses familiar forms to inspire thinking in viewers, to provide them with memories. Her preference lies with materials and forms that mirror ambiguity, something characteristic of the human experience. Beneath the delicate and sometimes deceptively endearing skin of her work is a yawning abyss. Death, fear and loneliness are recurrent themes, though never disconnected from life, love and beauty. Despite the great formal diversity of her works, there is a common thread running throughout her oeuvre in terms of choice of materials, techniques and the repeating of symbols and motifs.
Aside from her three-dimensional works, the artist has also always put her ideas on paper. These works (drawings and aquarelles, or aquarelle and gouache combined on old paper or cardboard) are often preparatory material for the sculptures but are autonomous works in themselves. Berlinde De Bruyckere does not impose ‘the’ interpretation of her works. She consciously leaves the door open for diverse understandings.
Items View all
Zonder titel (9)
Berlinde De Bruyckere, Zonder titel (9), 1994. Drawing, cardboard, gouache, aquarel, 390 x 270 mm.
Vrouw in Boom
Berlinde De Bruyckere, Vrouw in Boom, 1995. Drawing, cardboard, gouache, aquarel, 390 x 270 mm.
Zonder titel (16)
Berlinde De Bruyckere, Zonder titel (16), 1994. Drawing, cardboard, gouache, aquarel, 393 x 275 mm.
Spreken [To Speak]
Berlinde De Bruyckere, Spreken [To Speak], 1999. Installation, metal, wood, blankets, polyester, polyurethane, 200 x 140 x 80 cm.
Events View all
EXTRA MUROS: Geel – Middl...
15 September 2018 - 04 November 2018.
Exhibition project Middle Gate II – The Story of Dymphna is a cooperation between M HKA, the Museum of Contemporary Art Antwerp, and cultural
Worth Fighting For
14 November 2022 - 14 December 2022.
Worth Fighting For The Ukrainian fight is about the survival of a nation and its right to exist – politically, militarily, econom
Ensembles View all
Collectie Vlaamse Gemeens...
The M HKA holds works on permanent loan that were acquired with the budget of the Vlaamse Commissie voor Beeldende Kunst (Flemish Visual Art
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
MIGRATIE | MIGRATION
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will